Reference Guide

Harmonium Notes — Sargam Guide, Key Map & Scales

Learn the seven Shuddha Swar, the five altered Vikrit Swar, all 10 Hindustani Thaat scales, and the keyboard shortcuts used by Web Harmonium. Keep this guide open beside the free online harmonium while you practice.

Sargam Basics

The Seven Sargam Notes (Shuddha Swar)

Sargam is to Indian music what Solfège (Do Re Mi) is to Western music. The seven pure notes, called Shuddha Swar, form the backbone of Ragas, compositions, and daily harmonium practice.

The Western notes below use Sa = C♯ as an example. Because Sargam is relative, the exact Western pitch changes when you transpose Sa.

SargamFull nameWestern noteMeaning & role
SaShadja (षड्ज)C♯The tonic and reference pitch for the scale.
ReRishabha (ऋषभ)D♯The second degree; it may be Shuddha or Komal.
GaGandhara (गान्धार)FThe third degree; Shuddha Ga is bright while Komal Ga sounds more inward.
MaMadhyama (मध्यम)F♯The fourth degree; it appears as Shuddha Ma or Tivra Ma.
PaPanchama (पञ्चम)G♯The stable fifth and, with Sa, a common drone anchor.
DhaDhaivata (धैवत)A♯The sixth degree and an important expressive note in many Ragas.
NiNishada (निषाद)CThe seventh degree, often creating motion toward the upper Sa.
Sa′Tar Shadja (तार षड्ज)C♯The high Sa, one octave above the tonic.

Practice tip: Sing each note aloud as you play it. Connecting your voice to the key builds ear training and Sargam fluency more effectively than silent repetition.

Altered Notes

Vikrit Swar — Sharps & Flats

Beyond the seven Shuddha notes, Indian classical music uses five altered notes. Their combinations help create the distinctive melodic color of each Thaat and Raga.

Vikrit SwarTypeWestern noteExample Ragas
Komal ReFlat secondDBhairavi, Kafi, Asavari, Todi
Komal GaFlat thirdEBhairavi, Kafi, Asavari, Todi
Tivra MaSharp fourthGYaman, Marwa, Poorvi, Todi
Komal DhaFlat sixthABhairavi, Kafi, Asavari
Komal NiFlat seventhBBhairavi, Kafi, Asavari

Key insight: Yaman uses Tivra Ma while Bhairavi uses four Komal notes, yet the identity of a Raga depends on much more than its note collection. Characteristic phrases, ascent and descent, emphasis, ornamentation, and time of performance all matter.

Scale Families

The 10 Thaat System — Parent Scales of Hindustani Music

Pandit Vishnu Narayan Bhatkhande organized Hindustani Ragas into 10 widely taught Thaat families. A Thaat identifies a seven-note pitch collection; a Raga adds characteristic movements, important notes, ornamentation, and musical grammar.

ThaatAltered notesApprox. Western modeMood, time & examples
BilawalAll ShuddhaMajor / IonianMorning; bright and open. Ragas include Bilawal and Alhaiya Bilawal.
KhamajKomal NiMixolydianEvening; romantic and longing. Ragas include Khamaj, Des, and Tilak Kamod.
KafiKomal Ga + Komal NiDorianLate evening; expressive. Ragas include Kafi, Bageshri, and Bhimpalasi.
AsavariKomal Ga + Komal Dha + Komal NiNatural minor / AeolianLate morning; serious and contemplative. Ragas include Asavari, Jaunpuri, and Darbari.
BhairaviKomal Re + Ga + Dha + NiPhrygianEarly morning; devotional. Ragas include Bhairavi; related Ragas may use fewer notes.
KalyanTivra MaLydianEvening; expansive and majestic. Ragas include Yaman and Shuddha Kalyan.
MarwaKomal Re + Tivra MaLydian ♭2Late afternoon; restless and searching. Ragas include Marwa, Puriya, and Sohini.
PoorviKomal Re + Tivra Ma + Komal DhaLate afternoon; mysterious and intense. Ragas include Poorvi, Puriya Dhanashree, and Shree.
TodiKomal Re + Komal Ga + Tivra Ma + Komal DhaLate morning; poignant and complex. Ragas include Todi, Gurjari Todi, and Multani.
BhairavKomal Re + Komal DhaDouble harmonicEarly morning; solemn and powerful. Ragas include Bhairav, Ahir Bhairav, and Nat Bhairav.
How to use the table: Choose one Thaat, play its ascending and descending scale slowly, and listen for the changed notes. Then compare two Ragas in that family to hear how melodic rules transform the same pitch collection.
Live Key Reference

Keyboard Mapping on Web Harmonium

This reference is generated from the same key data as the live instrument. The large letter or symbol is the computer key to press; the Sargam label is shown beside it. White keys also display their Western key labels.

White Keys

aĠ
Western label: B
`
Western label: C
q
Western label: D
w
Western label: E
e
Western label: F
rR
Western label: G
tG
Western label: A
yG
Western label: B
uM
Western label: C
iD
Western label: D
oN
Western label: E
pN
Western label: F
[
Western label: G
]Ġ
Western label: A
\Ġ
Western label: B
'
Western label: C

Black Keys

sĠ
Altered / chromatic key
1
Altered / chromatic key
2
Altered / chromatic key
4S
Altered / chromatic key
5R
Altered / chromatic key
7M
Altered / chromatic key
8P
Altered / chromatic key
9D
Altered / chromatic key
-
Altered / chromatic key
=
Altered / chromatic key
;
Altered / chromatic key

Pro tip: Keep this page in a second tab while you practice on the main Web Harmonium keyboard. The live key labels remain the authoritative shortcut reference.

Daily Routine

How to Practice Harmonium Notes — Five Steps

  1. 1

    Start with Sa and Pa

    Play the tonic and fifth back and forth, then hum each pitch. These stable notes give your ear two reliable anchors.

  2. 2

    Learn the Bilawal scale

    Ascend through Sa Re Ga Ma Pa Dha Ni Sa′, then descend slowly. Repeat until the order and spacing feel familiar.

  3. 3

    Add Komal notes with Kafi

    Lower Ga and Ni. Listen to how two altered notes change the color while Sa, Re, Ma, Pa, and Dha stay in place.

  4. 4

    Explore Tivra Ma with Kalyan

    Raise Ma by one semitone and compare the result with Bilawal. That single change creates a noticeably more open sound.

  5. 5

    Practice a simple composition

    Move from scales into a melody you already know. Familiar phrasing lets you focus on finding notes and keeping steady time.

Beginner Melodies

Practice Songs — Play Along

Two Tigers — Bilawal Thaat

A short one-octave melody for learning repeated notes and stepwise movement.

Open tutorial
Sa Re Ga Ma | Pa Pa Pa — |
Ma Ga Re Sa | Sa Sa Sa — |

Mo Li Hua — Bilawal Thaat

A familiar traditional melody with compact phrases and gentle changes of direction.

Open tutorial
Sa Sa Sa Re | Ma Ma Re — |
Ma Ma Re Sa | Sa Sa — — |

Twinkle, Twinkle, Little Star — Bilawal Thaat

A recognizable melody for connecting notes on the page with pitches you already hear internally.

Open tutorial
Sa Sa Pa Pa | Dha Dha Pa — |
Ma Ma Ga Ga | Re Re Sa — |
Questions

FAQ — Harmonium Notes

How many notes does a harmonium have?

A standard harmonium commonly has 39 to 42 keys, covering about three octaves. Web Harmonium presents a browser-friendly playing range and provides octave controls for moving beyond the keys currently visible.

What is the difference between Sargam and Western notation?

Sargam names relative scale degrees as Sa Re Ga Ma Pa Dha Ni, so the sounding pitches move when you choose a new tonic. Western notation uses fixed pitch names such as C, D, and E. Web Harmonium shows both systems to help players connect them.

What are Komal and Tivra notes?

Komal means a note is lowered by one semitone, while Tivra means it is raised. Re, Ga, Dha, and Ni can be Komal; Ma can be Tivra. Sa and Pa remain fixed relative to the chosen tonic.

Which Thaat should I practice first?

Start with Bilawal because it uses all Shuddha notes. After the scale feels comfortable, try Kafi for Komal Ga and Ni, then Kalyan for Tivra Ma.

Where can I find more harmonium songs to practice?

Open the Web Harmonium tutorial for guided practice with listening, moving score lanes, and note-by-note feedback. The practice songs on this page also link directly to their tutorial sessions.

Ready to Practice?

Put These Harmonium Notes to Work

You have the note names, live keyboard map, scales, and Thaat system. Now use them in a real practice session.

Bookmark this page with Ctrl+D on Windows or Cmd+D on Mac.

· Web Harmonium Notes Reference